How to String the Shamisen – Guide

Shamisen Strings
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Learn how to quickly and elegantly attach new strings on your shamisen and discover tips for each individual string.

Stringing Shamisen Strings — the Right Way

Sooner or later everyone has to tackle the task of putting new strings on their instrument. The traditional way of attaching the string to the neo is incredibly elegant and simple. You form a loop, slip it over the neo’s eyelet, and tighten it. Simple, elegant, fast — perfect. Since this is difficult to describe in words, I strongly recommend watching the video at the end of the post.

Three strings, three quirks:

All three strings are attached in the same way. But each one has its own little quirks and tricks that can save you effort and frustration.
I always secure the string at the neo first before winding it onto the itomaki. But you can also wind a bit of the string onto the peg first and then fasten the other end at the neo. Like with so many things, there’s no strict right or wrong here — everyone has to find what’s most comfortable or quickest for them.
Here I’ll show you the method I’ve chosen as best after stringing countless shamisen.
If the shamisen is completely bare, with no strings at all, I always start with the thin string, because it’s fussier to thread through the tenjin (head) and wind onto the peg than the other two.
I secure one end of the string to the neo first, then wind the string onto the itomaki. Next, I thread the other end through the tiny hole in the peg and wind it up neatly until the string is nice and tight.

Attaching at the neo

I always fasten my string to the neo in the classic way, because nothing beats its simplicity and elegance. The absence of a real knot also makes it much easier to undo when it’s time to change strings.
Here’s how:
Insert the end of the string from the top (from the dou/corpus side) through the neo’s eyelet, about a finger’s length.
Make a loop — or better: a loose curl — by forming the end into an “O” and laying it on top of the string. Direction doesn’t matter.
Where the string crosses, pin it with your index finger from above and thumb from below — like grabbing the loop with your finger tweezers.
With the loop firmly pinned, flip the string loop over the neo loop, then pull on the long end of the string (the side toward the dou) to tighten it.
As the loop tightens, try to shuffle the whole thing down far enough so that the knot ends up beneath the skin.
Pull it tight so nothing slips while you’re working on the peg.

Simple trick: Because of the tension, the knot at the neo can easily slip on the thin string. To prevent this, you can tie a simple knot at the string’s end before attaching it.

Winding on the itomaki

For the thick and middle strings (ichi no ito and ni no ito), one end is colored silver or red. If you insert this colored end into the peg’s hole, the string bends sharply as the peg turns and stays securely anchored.
The thin string (san no ito) doesn’t have this advantage. It’s smooth and tends to slip out of the hole unless you take precautions. A classic method is to tie a knot after threading it through, but that can be a pain later when changing strings.
A bit fussier, but more elegant:
Thread about a centimeter of the string through the peg’s hole.
Press the short end down along the length of the peg with your finger.
Carefully turn the peg so the winding string pins down that little tail.
Make sure the following turns also cover the short end, so it holds firmly and doesn’t stick out.
Even while winding, it’s worth being neat and deliberate. Arrange the coils so the string runs straight down the neck to the neo. This not only looks better but also makes fingering and playing easier.

Undoing the knot

The knot I’ve just described sits tight and secure, yet it can be undone easily with the right hand movements. Another reason why I love this method.
Simply loosen the string at the peg (or, if it’s already broken, it’ll just hang there) and pull apart the neo loop where the string is hooked. This releases the loop, and the string comes off with ease. Pure elegance!
Now you’ve got another useful and fascinating skill under your belt — one that will save you time in the future and earn you admiring looks. Feel free to share your successes in the comments — and of course also any difficulties if you run into them.
For how to tune each string, see this article and this video. And for more on the different tunings, there’s also something to read and watch.

Watch the video here:

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